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时间: 2019年12月07日 11:34

� But her father was not attending. His son said you guys were friends. Marcelino? You know Marcelino?鈥? Come, boys, I can't allow any quarrelling at the table, said Mr. Kenyon, but still pleasantly. "I don't see why we can't live together in peace and quietness." 鈥淵ou won鈥檛 this time.鈥? 鈥業 won鈥檛 tell you what grief there was at home. Father was like a madman, and I was little better. He tried hard to get her back. He went miles鈥攖o the other end of England鈥攁fter the regiment, but he never caught them up. He was too late. The regiment had been ordered off to the Cape of Good Hope. Through the rector, father wrote to the War Office, inquiring after Corporal Smith and his wife. The answer came months later, to say that the corporal was alive and well, but that[212] he had no wife鈥攁t least no one according to the regimental books. av在线看 一本道av不卡免费播放_在线看片av免费观看_日本毛片高清免费视频_一本道亚洲区免费观看 � CHAPTER XXXI. MRS. KENYON FINDS FRIENDS. In the first place, these poems addressed themselves powerfully to one of the strongest of my pleasurable susceptibilities, the love of rural objects and natural scenery; to which I had been indebted not only for much of the pleasure of my life, but quite recently for relief from one of my longest relapses into depression. In this power of rural beauty over me, there was a foundation laid for taking pleasure in Wordsworth's, poetry. the more so, as his scenery lies mostly among mountains, which, owing to my early Pyrenean excursion, were my ideal of natural beauty. But Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle ot imperfection, but would be made richer by every improvement in the physical or social condition of mankind. From them I seemed to learn what would be the perennial sources of happiness, when all the greater evils of life shall have been removed. And I felt myself at once better and happier as I came under their influence. There have certainly been, even in our own age, greater poets than Wordsworth; but poetry of deeper and loftier feeling could not have done for me at that time what his did. I needed to be made to feel that there was real, permanent happiness in tranquil contemplation. Wordsworth taught me this, not only without turning away from, but with a greatly increased interest in the common feelings and common destiny of human beings. And the delight which these poems gave me, proved that with culture of this sort, there was nothing to dread from the most confirmed habit of analysis. At the conclusion of the Poems came the famous Ode, falsely called Platonic, "Intimations of Immortality:" in which, along with more than his usual sweetness of melody and rhythm, and along with the two passages of grand imagery but bad philosophy so often quoted, I found that he too had had similar experience to mine; that he also had felt that the first freshness of youthful enjoyment of life was not lasting; but that he had sought for compensation, and found it, in the way in which he was now teaching me to find it. The result was that I gradually, but completely, emerged from my habitual depression, and was never again subject to it. I long continued to value Wordsworth less according to his intrinsic merits, than by the measure of what he had done for me. Compared with the greatest poets, he may be said to be the poet of unpoetical natures, possessed of quiet and contemplative tastes. But unpoetical natures are precisely those which require poetic cultivation. This cultivation Wordsworth is much more fitted to give, than poets who are intrinsically far more poets than he. Isola went to the little boat-house on the edge of the lawn, Tim following her. She pushed the light skiff down the slope into the water, and in a few minutes more her sculls were in the rowlocks and she was moving slowly up the river, between autumnal woods, in a silence broken only by the dip of the sculls and the little rippling sound as the water dropped away from them. A good deal of her life was spent like this, moving slowly up the river through that deep silence of the woodland shores. The river was as beautiful as the Dart almost, but lonelier and more silent. It was Martin Disney's river鈥攖he river whose ripples had soothed his mother's dying ears鈥攖he last of all earthly sounds that had been heard in the stillness of the death-chamber. �